No. 41 (2019): Cinema and Literature

• Ficha Técnica

  • PDF (Português (Portugal))

Artigos

• Introduction

  Elisabete Marques, Rita Novas Miranda, Sofia de Sousa Silva

  7-10

  • PDF (Português (Portugal))

• 'Art of the Event': Accident, narrative and form in La Glace à trois faces, between Jean Epstein and Paul Morand

  José Bértolo

  13-35

  • PDF (Português (Portugal))

• Something In-Between: Images of Writing on the Film Conversa Acabada (João Botelho, 1981)

  Bruno Fontes

  37-50

  • PDF (Português (Portugal))

• Conrad and Cinema: “A girl, by Jove!” – Victory (1919), by Maurice Tourneur

  Fernando Guerreiro

  51-80

  • PDF (Português (Portugal))

• my body needs to occupy space

  Sofia Karam

  81-99

  • PDF (Português (Portugal))

• An erotic and literary history of Latin American cinema

  Helder Thiago Maia

  101-130

  • PDF (Português (Portugal))

• Cinema and Poetry: Approaching António Reis' work

  Alexandra João Ramos Correia Martins

  131-147

  • PDF (Português (Portugal))

• In the border, between Rui Nunes and Ali Abbasi

  Diogo Martins

  149-169

  • PDF (Português (Portugal))

• "It remains to be seen if non-thought contaminates thought": quotation and invention in Jean-Luc Godard's Adieu au Langage

  Helena Martins

  171-190

  • PDF (Português (Portugal))

• The presence of Dostoevsky in Woody Allen's cinema

  Paulo Mendonça

  191-212

  • PDF (Português (Portugal))

• The impure art of quotation: Jarmusch-Paterson-Derrida

  Hugo Monteiro

  213-236

  • PDF (Português (Portugal))

• Migrating characters in literature-to-film adaptations: reflections based on The double and Enemy

  Eduardo Nunes

  237-259

  • PDF (Português (Portugal))

• The cinema effect on 'Miguel e os demônios', by Lourenço Mutarelli

  Marília Corrêa Parecis de Oliveira

  261-290

  • PDF (Português (Portugal))

• Cinema pays tribute to poetry in Acidente, by Cao Guimarães and Pablo Lobato

  Ana Gabriela Dickstein Roiffe

  291-315

  • PDF (Português (Portugal))

• Las Babas del Diablo and Blow Up : An Analysis of the Intersemiotic Translation in the Film Adaptation

  Lia Leite Santos

  317-330

  • PDF (Português (Portugal))

• “Making-Of” of Itself: Documentary as a Theme and as a Formal Principle in José Eduardo Agualusa's As Mulheres do Meu Pai

  Daniel Moutinho Souza

  331-353

  • PDF (Português (Portugal))

• Literature in Motion: narrative and photogram in O fotógrafo, by Cristovão Tezza

  Thaís Rocha Tavares

  355-376

  • PDF (Português (Portugal))

Vária

• Cyrano's utopia: where you become what you eat

  Anne Staquet

  379-390

  • PDF (Português (Portugal))

Review

• Recensão: Carlos Nogueira, Resposta a Italo Calvino. Clássicos da Literatura, Porto, Livraria Lello, 2018.

  José Eduardo Reis

  393-399

  • PDF (Português (Portugal))